Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Wednesday, 2 May 2012

Pure Photography

The Merriam Webster Dictionary defines Photography as "the art or process of producing images by the action of radiant energy and especially light on a sensitive surface (as film or a CCD chip)." The same defines Pure as "having exactly the talents or skills needed for a particular role".

 Yoga Pairs - Unedited Photo

I spent the past week in the Ottawa-Gatineau region of Canada and had the opportunity to visit with a number of the local photographers. Of course conversations varied but consisted primarily of photography related subjects. It was refreshing to talk with fellow professionals so I wasn't inundated with questions about gear and technology. Honestly, give me any camera and I'm happy. As long as I can record my vision and interpretation of a subject on to an effective CCD chip I'm ready to make an impact. 

There were a few things that stood out about the conversations - things which I guess I hadn't really dwelt on since I have been doing this a while and have followed, for the most part, the path of least resistance. Finding the efficient workflow path is vital in today's work environment.

I consider myself a photographer by definition. I'm not a graphic designer. I'm not a digital artist. I like to take pictures. I create scenes, set up my lighting, and meter according to the end result I picture in my head.

In some respects, I feel sorry for today's photographers who have learned their art in digital. Learning in the days of slide and light meters was considerably more difficult but had its benefits. Having learned and perfected the art of lighting and composition means little has to ever be done post shoot. There are lighting tricks to enhance muscle definition, to soften or flatter the face, to create glamour or more impacting imagery. You name it, it can largely be done with lights and lighting control accessories. This allows me more time spent being a photographer and less time being a photo editor or a digital manipulator or image creator. I pride myself on being a purist and the less time I have to spend editing means I do my job well. Something I'm very proud of.

When photographers hear I'm a purist, the first question often is, "Do you use hot lights?" Never. When I commented that I rarely use Photoshop I was asked if I used Lightroom (another photo editing program apparently). I said never. I wouldn't have the first clue about using Lightroom. In fact, until recently, all I used was Photoshop 7 until I upgraded to CS2. A program now about seven years old and in the world of technology is relatively ancient but it does all the simple tasks I need a program to do - adjust the contrast, resize and add my logo basically.

Speaking with several photographers on my Ottawa trip and locally in Alberta, they were astonished that most of my photos are unedited. Not just photos given to clients, but 95% of my printed material as well. I have known photographers that will spend anywhere from 10 minutes on every photo to a few hours. I have a hard time fathoming it. My knowledge of Photoshop is minimal but I can distinguish an edited shot from a pure shot quite easily. I know some photographers go to great length to provide quality, edited images, and I totally respect that. It's their approach and it's their time.

Knowing how to choose a film until 2006 was important knowledge and now, knowing lighting and in-camera settings is really all I need to know to produce compliment generating, creative photos. As they say, great portraits and photos aren't created in the camera but on either side of it.

Side note: My idea of an unedited image, as seen above, is simply resized. No contrast, sharpening, colour correction etc whatsoever. Straight out of camera into article.

Tuesday, 27 September 2011

You Know You're Into Photography When



You Know You're Into Photography When:

- Your electrical outlets are full of photo/video recharging devices.
- Your coffee table is covered in books by Avedon, Lindberg and LaChapelle.
- Your mail arrives and you are more excited to see the latest issue of Picture then to get payments.
- You spend your entire summer inside on the computer rather than outside enjoying the weather.
- You use ruined CD/DVD as coasters.
- You remember dates of famous photographers while forgetting the birthdays of family and close friends.
- Your kitchen counters have been taken over by all the latest Mac gear.
- You have to ask, do you mean Aperture the program or on your camera?
- You use medium format and pro film cameras as paper weights.
- You have actually joked about the Nikon vs Canon debate.
- You save important photos on multiple drives in locations miles apart.
- You actually discuss another photographer's question about which camera you use.
- You don't mind getting into an awkward position in public to get "that shot."
- Someone hands you a point and shoot camera to take a quick photo you instinctively lift the brim of your hat and bring it to your eye only to realize it has no viewfinder.
- You see things different when shooting in B&W then in colour.
- Models tell you you pose better than they do.
- You buy an $850 iPad to use as your mobile portfolio.
- You can't help but notice how great the lighting is during a movie.
- You constantly try to accurately guess the exposure for various scenes around you.
- You step into the hot sun and think - I'm glad I'm not shooting a wedding today.
- You see a nice photo and say, I could shoot that. (But you didn't)
- You are satisfied with the camera you have rather than the latest technology.
- Finding stored rolls of film in shopping bags and old camera bags make you smile.
- Walking into a hotel lobby and trying to guess the white balance.
- You could happily spend a day at a camera store talking shop and playing with new gadgets rather than sitting by a pool in Vegas.
- Something builds inside you when someone says "great shot, what camera did you use?"
- You feel antsy after deciding not to stop to take a photo.
- You photos inspire other photographers.
- You let someone else hold your camera and joke "you drop it you bought it."
- You get nervous when someone asks to hold your camera.
- You have to resist the urge to pull the car over for a perfect shot because you're running late to an appointment.
- You look at photos around you and try to figure out the lighting.
- Your friends all want to give you their camera at social gathers for candis and group photos.
- The camera salesman is quick to let you play with the latest and most expensive gear.
- You understand the difference between bokeh and a cultural dance.
- Working with beautiful women you only notice the lighting.
- You are not embarrassed to pull out your iPhone regardless if there are others around with pro DSLRs.
- Models tell you they were asked by other photographers to take pictures of your lighting to share later.
- Other photographers ask you about your gear so they don't fall too far behind in the cold tech war.
- The new Yellow Pages arrives and you quickly look up Photographers to see who has better placement and ads than you.
- You notice how inaccurate photographers are played in movies.
- You wonder how they created such incredible bokeh in the movie.
- Someone compliments you on a tear sheet and you don't even care to check it out.
- Every magazine in your house features your work.
- Everything you look at is compared to your 18% grey card.
- You buy Gears of War 3 just to see HDR in action.
- You don't question a person spending more on their camera gear than on the car they drive.
- You can quickly and effectively teach someone exposure through ISO, aperture, and  shutter speed selections.
- You go for your passport photo and question the lighting.
- Your friend trips and hurts themselves and you are fast enough to grab a few shots before offering to help.
- You're looking to buy a house based on studio potential.
- Your studio office takes over your entire condo.
- 1G of memory lasts friends a year while 32G last you an afternoon - tops.
- You don't have to delete one shot from an afternoon of shooting.
- You can shoot, sort and get a clients images out in the same day.
- You have enough lighting stands you could hold up a house.
- You have a camera bag for ten different shooting assignments.
- You get a tear sheet and make it your Facebook avatar even though it's not a photo of you.
- You are late for a date and your significant other automatically knows you stopped to snag a few photos.
- Your studio is actually your own living quarters.
- You're in the middle of nowhere with no phone signal and you want to shorten your vacation to share photos on Instagram.
- You view a beautiful scene and quickly decide which gradient you would use.
- You're on a romantic outing and while looking into your significant other's eyes you are thinking ISO 100, F5.6 at a 60th.
- You won't buy less than a pack of 16 AA batteries at a time.
- You remember your camera bag but have to return for your car keys.
- A 2T hard-drive doesn't last you more than a couple months.
- You spend your nights watching the latest episodes of Creative Live rather than anything on TV.
- You won't get up early to make it to the gym but you'll get up a couple hours early to find that perfect morning photo.
- You are out and about and tourists automatically hand you their camera to take their group photo.

- You can't help but offer your services to couples taking individual photos of each other at landmarks.
- You wake up and can't wait to get out shooting.

This list is endless. Please feel free to add your own in the comments box below.